Ghostbusters: Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. Ghostbusters II: Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil.

Billy Madison Master of infantilism Adam Sandler stars as the title character, an overgrown rich kid who wiles away his days poolside, swilling kegs of beer and appreciating fine nudie magazines such as "Drunk Chicks" -- that is, until his father (Darren McGavin) decides to test his mettle as future head of the family business by posing a challenge: retake and pass grades K-12 in 24 weeks or watch control of the business pass to the requisite conniving underling (Bradley Whitford). Forced into action, Billy vows to change his drunken ways. He enrolls in kindergarten, makes new friends, pelts pint-sized kids with playground balls and develops a love interest in a pretty teacher (Bridgitte Wilson). The action culminates in an academic showdown between Billy and the purportedly Harvard-educated underling for the future of the family enterprise -- no small feat for a man fresh out of the first grade. There's gross, moronic, off-color low humor galore in Billy Madison, particularly in one subplot involving a romantically forward elementary school principal (Josh Mostel, son of theater great Zero Mostel) and his secret former life as a professional wrestler; another scene includes the hypertense school bus driver (Chris Farley, in a typical over-the-top cameo) lying in the meadow with a hallucinatory penguin. As one might suspect, Billy Madison is not for every taste; Sandler fans will laugh from start to finish; others beware. Happy Gilmore Adam Sandler's second popular starring vehicle after Billy Madison is a goofy lowbrow paean to golf, hockey, and the comic hysterics of its childlike star. In Happy Gilmore, Sandler plays the title character, a raw, determined, but ultimately untalented hockey player who keeps trying out for the pros. When Happy discovers his grandmother (Frances Bay) will lose her home if she doesn't fork over 270,000 dollars to the IRS, he tries to figure out how he can possibly scrounge up the cash. An idea strikes during a game of one-upmanship with a couple furniture movers stripping his grandmother's home: On his first-ever swing, he drives a golf ball farther than the movers have ever seen. Before long, he has transplanted the foul-mouthed, aggressive persona of the hockey rink to the links, winning an amateur tourney that earns him a spot on the pro tour. Throttling everyone from a helpless caddy to game show host Bob Barker during the course of his 90-day quest to amass prize money, Happy also wins the sport a legion of new fans with his in-your-face style. Guiding him on his quest is a whimsical retired pro who lost his hand to an alligator (Carl Weathers) and an attractive public relations woman charmed by Happy's antics (Julie Bowen). Opposing him, however, is sneering hotshot Shooter McGavin (Christopher McDonald), who will do anything to win his championship jacket and see Happy fail