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Despite the fact that horror fans likely missed it during its "blink-and-you-miss-it" theatrical run, director Rob Schmidt's grim, throwback chiller Wrong Turn gets a commendable DVD release thanks to 20th Century Fox. Presented in both 1.85:1 anamorphic widescreen and 1.33:1 pan-and-scan, the transfer of the film is virtually flawless. With solid blacks in the frequent night scenes and spot-on skin tones as the sweaty teens elude their inbred pursuers, the image is clean and free of virtually any and all distortion and grain. One of the aspects of Wrong Turn that makes it as effective as it is in providing scares is the sound, and the English Dolby Digital 5.1 audio track certainly doesn't hold back when it comes to surrounding the viewer with terror. As twigs snap in the distance and various piercing objects burrow into human flesh, viewers will no doubt cringe at the remarkably vivid soundscape of this brutal film. Though at first fans may be enticed by the apparent wealth of extra features included on this disc, upon closer inspection there are really only a few truly valuable and entertaining bonuses here. A commentary track featuring director Schmidt and stars Eliza Dushku and Desmond Harrington is indeed fun in parts, and it's obvious that the trio is having a great time revisiting the film, but there are also extended stretches of silence that really grind things to a halt. In addition to citing the aforementioned use of sound and their desire to recreate that childhood rush of fear that only horror films can provide, the only other real reason to listen is to hear about the varied and numerous injuries sustained by the cast and crew during filming. Likewise, many of the extra features offer little insight into the production at all, with "The Making of Wrong Turn," and "Eliza Dushku: A Babe in the Woods" both clocking in at under five minutes -- hardly enough time to truly delve into the film's many impressive effects. The two featurettes that do stand out, however, are "Fresh Meat: The Wounds of Wrong Turn" and the one on Stan Winston, the former offering a neat look at the film's effects and the latter offering a nice retrospective in Winston's own words. Deleted scenes offer a romantic interlude under a waterfall that was likely cut for pacing, an "alternate" view of a kill that doesn't seem to differ from the onscreen version at all, and dailies of Emmanuelle Chriqui getting a mouthful of barbed wire. Rounding things out is a series of fun poster concept designs and the impressive and intense trailer.