Kevin Costner's 2003 Western Open Range comes to DVD with a widescreen anamorphic transfer that preserves the original theatrical aspect ratio of 2.35:1. English soundtracks are rendered in both Dolby Digital 5.1 and DTS 5.1. Spanish subtitles are accessible. Supplemental materials include a commentary track recorded by Costner. He talks about his theories as a director, his affection for the Western genre (a type of movie that, with this film, he proves he has absorbed), and many tales about the film's production. His commentary is as earnest and heartfelt as the film itself. A second DVD is full of information on the making of the film, allowing the viewer access to almost every aspect of the process. This is a strong disc from Disney/Buena Vista that will be of particular interest to any genre enthusiast.

The pi~ce de r~sistance of the late '90s hot nerd genre, She's All That comes to DVD with this release. When "chapter search" makes up 50 percent of the features, one can assume that this is a decidedly barebones disc -- and it is. Though with a music video, a widescreen 1.85:1 transfer, and an English Dolby Digital 5.1 audio track, the few components the DVD possesses are above average, and most likely all fans of the film are looking for. Still, with no subtitles or additional extras, it's impossible to call the disc anything but adequate.

Alien vs. Predator crashes to Earth in this widescreen edition of 20th Century Fox's long-awaited intergalactic boxing match. With an anamorphic 2.35:1 widescreen image and both 5.1 Dolby and DTS tracks, the look and sound are impressive, offering a fitting presentation of the film's best qualities -- its dark photography and loud soundtrack. Extras on the disc begin with a director and actors commentary featuring Paul W.S. Anderson and his stars Lance Henriksen and Sanaa Lathan. Sadly, even if you stand by the film, you still might be annoyed at the level of praise that gets thrown around throughout the track. From Henriksen waxing Anderson's car every other second to both of them going gaga over the very un-incredible Lathan, the talk feels more like a bubbly love session than anything else. The other commentary comes from visual effects supervisor John Bruno and creature effects designers/creators Alec Gillis and Tom Woodruff Jr., and it's informative as to what effects are what, but good for little else. Not only do you have to put up with both sets of effects people competing over credit for certain shots, but there's also a bit of ego-driven babble from Gillis as he continues to hold his mantle as the official Alien actor (this being his third film in the monster's shoes). The rest of the extras begin with an extended version of the film, though don't be expecting the R-rated violent cut of the film, which Anderson was rumored to have been forced to cut down weeks before the release. Instead, you get an extended opening scene of a Predator hunting down an Antarctic colonist in 1904 that is about 90 seconds long -- and that's it. You wonder why they didn't file that just in the deleted scenes section, which isn't too much to call home about in the first place. A 22-minute making-of is also supplied, though even that is basically made up of footage already released on the web before the movie's release. Other than that, only one other feature stands out from the rest of the extras, which include a ridiculous Superbowl spot and other Fox TV trailers, and that is the gallery of Alien vs. Predator comic covers from Dark Horse Comics. With 35 covers inside the gallery, this ode to all of the various mini-series is one of the most comprehensive things on the entire disc, which in a way, sums up this entire release in a sad kind of way.