Control your computer with this Logitech wireless keyboard and optical mouse set. Both devices transfer through a single USB port, freeing one up, ideal for laptops so that you can enjoy the convenience of wireless connectivity. Reliable wireless connectivity keeps this Logitech wireless keyboard and optical mouse set linked to your device throughout the day.

Ash vs Evil Dead, a 10-episode, half-hour series, is the long-awaited follow-up to the classic horror film franchise The Evil Dead. The series follows Ash, the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead. When a Deadite plague threatens to destroy all of mankind, Ash is finally forced to face his demons -personal and literal. Destiny, it turns out, has no plans to the unlikely hero from it's InchEvilInch grip. The cast is led by Bruce Campbell as Ash Williams, Lucy Lawless as Ruby a mysterious figure who believes Ash is the cause of the Evil outbreaks, Ray Santiago as Pablo Simon Bolivar, an idealistic immigrant who becomes Ash's loyal sidekick, Dana DeLorenzo as Kelly Maxwell, a moody wild child trying to outrun her past and Jill Marie Jones as Amanda Fisher, a disgraced Michigan State Trooper set to find our anti-hero Ash and prove his responsibility in the grisly murder of her partner. The series is executive produced by Sam Raimi, Rob Tapert, and Bruce Campbell, the original filmmakers of the franchise, and Craig DiGregorio (InchChuckInch), who serves as executive producer and showrunner.

Natural Born Killers was criticized for its violence when released in theaters, and this director's cut release restores even more graphic content. Only huge fans of the film are likely to be interested in these additional scenes, but for those interested in learning how Oliver Stone ticks, it's a great study of the mind of the director. Also included are several surreal deleted scenes, including two featuring Ashley Judd and Denis Leary, as well as an alternate ending. Stone's commentary, which is prefaced with a Trimark Pictures disclaimer as not reflecting the company's views, proves he really does have a grasp of the medium, and the "making of" featurette with the cast and crew reinforces the idea that this film was made in an "inmates running the asylum" manner. For those interested in the controversy or looking for an education in violent experimental filmmaking, this disc is loaded with goodies.