The Longest Day is a re creation of the D-Day invasion. Whenever possible, the original locations were utilized, and an all star international cast impersonates the people involved, from high ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate 'takes' were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972). The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private. Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three minute overhead shot of the troops fighting and dying in the streets of Quistreham. The last major black and white road show attraction.

Go deep undercover in this hilarious action-comedy with an all-star cast including Zach Galifianakis, Jon Hamm, Isla Fisher and Gal Gadot. An ordinary suburban couple finds it's not easy keeping up with the Joneses - their impossibly attractive and ultrasophisticated new neighbors - especially when they discover Mr. And Mrs. Jones are covert spies embroiled in international espionage.

The Thing (or The Thing (From Another World), as it is also called) had some confusion inherent in its basic make-up from its origins. The movie is officially credited to Christian Nyby as director, but nobody has ever really believed that, since it doesn't remotely resemble the feel, style, or approach that Nyby ever took in any of his subsequent movies, but does thoroughly match the directorial approach of its producer, Howard Hawks; additionally, Hawks all but admitted in at least one interview that he gave Nyby -- a longtime associate of his as an editor -- the director's credit in order to get him his Directors Guild card. Furthermore, in its release history, the movie has appeared with at least three different running times over the years, ranging from 81 to 87 minutes. And to make matters worse, it was out in at least three separate videocassette versions and three further, separate and distinct laserdisc editions in the United States in a 10-year period from the early 80's through the early 90's -- the first of the laserdiscs, from VidAmerica by way of Pioneer, was one of the most notoriously awful laser releases in the history of the format, mastered from a worn, washed out 16mm print that was also cut; it looked like the re-release trailer on this DVD looks, and sounded worse. The second version, from the early 1990's, looked far better but was still missing some material, ranging from a few seconds to two minutes in length. Finally, that mistake was fixed without a lot of fanfare, and a complete version of the movie did appear on laserdisc around 1992. This DVD is stunning -- in every detail, it runs circles around all prior home viewing releases of the movie and even surpasses the theatrical prints that this reviewer has seen; it also easily outclassing the current Region 2 disc released by Manga Films in Spain. It's sharp, clean, and complete, and even the one section that often looks and sounds the roughest, at 36 minutes in -- the romantic interlude in which Margarent Sheridan ties Kenneth Tobey's hands -- meshes with the rest of the movie seamlessly, which is a big improvement over older editions of the film. In fact, the movie looks almost too good at times, the clarity of the image very slightly undoing a bit of the impact of the make-up worn by James Arness as the alien invader. The volume has been set reasonably high and it is mastered cleanly, giving excellent play to the taut dialogue and Dimitri Tiomkin's eerie, unsettling score. And the 87 minute movie has been given a very generous 25 chapters. The disc opens automatically to a simple menu that includes scene selections, the reissue trailer, and language selection (Spanish and French subtitles). All of that is actually a bit of a disappointment -- one does wish that Warner Bros. had devoted as much attention to this DVD edition as Image Entertainment did to its special laserdisc release of the movie a decade earlier, which came with explanatory essays and a history of the production. The Thing had a fairly convoluted pre-history, as well as being based on one of the most famous and respected science fiction stories ever written; additionally, the dispute over whether Hawks or Nyby directed, and the extensive cuts made in the film before release are highly relevant to what we're seeing. All of it would be of interest, and would have enhanced the disc. Additionally, The Thing is very obviously as important a movie (if not more so) than Warner Bros.' Them! (1954), which did get some special treatment on DVD. This reviewer would happily have paid $10 more for this release with those extras -- in view of some of the extras that Warner Bros. has put on its classic titles, for all of the care that went into what is here, the disc is still something of a lost opportunity.